Working on the medium of a Television to reach the Audience of Contemporary World Art

Lady Joy Caloc, Today’s

Art as a permanent Freedom and a duty to renew… the whole World’s vision.

The precise observation of the Painter to create a striking work. The structure of any territory has already been built by previous generations, and a profound individual renewal of artist today corresponds to a very profound societal upheaval. A divine spirit not belonging to this low world can easily guide the painter to renew, with this holy part, the well of knowing the whole world and create the cataclysm that everyone is waiting for.

His own eyes, his own eyes, his only ambition: To Bring His entire Joy

Behind a computer, there are people. There is a culture that has been built within a nation, that has defined itself in a certain way on a territory. Appropriating this territory to a form of identity, the landmarks are often formed of constellations (with zodiac signs), street names (in each childhood), several musical sounds (with shared joys and sorrows) … and sometimes painters (referents of their own company).

The role of the Art Master.

Rare are the painters who in the air of their contemporary times correspond to a very personal memory of each one in the crowd. A painter has no fear of living alone, because every internal movement also calls into question the totality of his thought in relation to a new territory that will be conquered sooner or later, through the existence of his
creations.

What’s more for the whole world?! Painting Art on a TVset to reach the global audience

Im Fernsehen arbeiten, um die Weltöffentlichkeit zu erreichen
Lady JC Ltd.

Even the bitterest fruit has sugar in it.

– Terry a O’Neal

The work of the Painter is at the service of a personal mission with God. As Leonardo da Vinci was able to bequeath his name to the international prize of art, so that, we descendants complex, playful and careful, become recognized to know how to find enigmas to our artistic messages, me Lady Joy CALOC wishes to resell for higher the price of an inactive screen in my eyes to the brand of its industrial distributor.

With these two works on television, Samsung and Philips are the first two lucky brands that will not see the leds of their plasma circuit changing colors over time. Nothing can break the instability of a work divinely well prepared to endure for centuries and to be heavily presented to our future generations as definitively obsolete.

The trees that are slow to grow bear the best fruit.

– Molière

From the first day of its catodic creation, the television knew how to find its usefulness in the word “laziness” of those who, to entertain themselves, no longer know how to leave their home, nor even address themselves to their relatives by looking them in the eyes. I like to paint the natural and memorable field of what is beautiful even on the objects of the most adored contemporary daily. They lose all sense of their usefulness to become almost more sacred than our very lives.

Even if many would imagine here that Michael Angelo and Leonardo Da Vinci cannot recognize each other in their permanent research on digitalized color, I like to admit that the quality of their works, as original as they may be divine, could not leave our living room today. Printed at will on our socks or even on our pillows, their works of art masters would become popular until becoming recognized as banal in a simple gallery or perhaps on our digital platforms of the Art market. I call in the eyes of these experts who would have grown up in the middle of ancient art to come and validate with their own eyes my works on television, in such a way as to recognize the power and emotion that God promulgates on a piece of plastic transfer as it should have lived on a ceiling of the Sistine Chapel.

Too Heavy to be exhibited !

As for the joyful message that God gave me to paint on these two televisions, it belongs only to the interpreter and to the one who sees further. I will not divulge what everyone will have the pleasure of living in a future desert where there is nothing but the hope of a life already redeemed, or of an eternal guaranteed covenant.